AVANTAPPAL(ACHIA)
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Cur(rent) Is(sue)

  Welcome to Is(sue) 16, Kinfolk! Thank you for loyally contributing, reading, and sharing! It is you who make this ezine and you who keep it breathing. The seventeenth regular is(sue) will go live on June 15, 2025. ***Deadlines for each is(sue) have changed -  See Sub(missions) in the menu (for more information).***

​As Ed(itor)s,  Sabne Raznik and David Sykes would like to remind those who wish to contribute work that this e-zine is about experimental writing and art. So, please, send us your weirdest, most exciting, and avant-garde pieces! (Please, read the guide(lines) under Sub(missions) in the menu thoroughly. Short Story guide(lines) have changed!) Please include the state or country in which you currently reside in your submission email.

Please note this change in the submission guidelines: 
 **Apple devices now save images and videos made with their cameras as HEIC files as default. This is a file extension that saves data space while retaining high quality. But most websites and operating systems do not yet play well with it. This website does not play well with the HEIC file extension. To ensure that your image files are JPG when taken with an Apple device, go to Settings > Camera > Formats > Camera Capture: you will see that "High Efficiency" is checked by default. Please, make sure that "Most Compatible" is checked instead.** Also, we no longer accept simultaneous submissions.

We are artists - the rules need not apply. We also welcome submissions from around the world as one of our stated goals is to bring the world to Appalachia and Appalachia to the world. 

​Remember!: If you like what we do here, consider donating to keep this website up. See  
Donat(ions) in the menu (for more information) on how you can keep this e-zine alive.
Announcing the "Come Hell and High Water: Helene" Special Is(sue)!
Picture
This is our tribute to the before-and-after geological and emotional event that Helene proved to be for our beloved Appalachia. It is now available to read by clicking Special Is(sues) in the menu.


(Avant)Poetry

"for the procedure"
​
​ Kelley Jean White, Pennsylvania

I must lie
face down
on the exam table

over a hole
for my breast

the table cranks
up until I am a car
with mechanics

working beneath
and the surgeon
(the head mechanic)

peeks
just over the edge
to introduce
himself

and I chant silent
prayers
as the mammography
machine

whirrs
and squeezes

guiding his knife
and I am falling
falling
with wings
of flame

​
"sitting on a barstool and watching the clock on the microwave hit 11:28am"

Allen Seward, West Virginia
​
in a quiet room
in
a quiet world
the years make no sound
no stretching
or
yawning.

you
here
now
with me,
a cup of coffee between us,
wondering how
to speak
or sing
or even scream.

like sitting alone inside
your parents’ house
after fifteen-years
in all that quiet
in all that stale air that
need not have changed
but did,

and there is no way back,
​
and now dust on the counter
or on the dresser
does not look so bad
because it means
that something which happened
still remains
and has not gone away.

​
"Orange Dahlia"
​

Paul Ilechko, New Jersey

Salt morning
gray sky
an old woman standing between
the dahlias and the peeling fence
she used to read every day
an endless supply
of hardcover library books
romances and mysteries
each to cover for a specific lack
but now she yearns for nothing
one day soon the snow will come
although she won’t know what it is
or that it wasn’t there yesterday
there will be ice on the branches
of her neighbor’s apple trees
a crackling sound
as brittle wood snaps
a brilliant blue atmosphere
approaching violet
that extends from daylight
almost to moonlight
before fading back to gray
the gray of her world that is so constrained
wet stones and chattering birds
platonic relationships
that used to burn like an evening sun
like an orange dahlia.


"Dream of Immortality"

Anna Crumpecker, Oklahoma
​
What had they been thinking of
eyes swollen and unadorned, seeking me
out, or perhaps I’m seeking them—stranger
friend, relative, anyone—raining
their stories down on me like I’m the ocean
with its powers of evaporation

Sometimes I understand you
my striving sincere, if maimed
but mostly it’s just us standing
side-by-side pointing out stars tethered
to the night sky before
fading into ether

I still go on loving you like sky
but the wind’s causing an awful ruckus
I can’t change, I am not the mechanisms of wind
I was not given much, but I still win entrance to everything
said and unsaid except in my trying
foggy and stilted

I fear the single plane
in which everything falls
I want to hide my hands that feel all wrong
and don’t belong on my body, but I’ll do it slowly
so as not to let you see my helplessness
my gift, a joke

It’s always mothers and fathers and others and that thing
someone did that they shouldn’t have, or that thing
someone didn’t do and should have with their corruptions
over our small & infinite lives and of course
in a drop of rain everything
is reflected

I see you from afar like a hawk drifting over me
so glad you’re there, so not-me and one in a billion
I choose this moment to ask in detail
about what it all means, regretting
only that we won’t know how it ends
so grateful we can’t go back



"Teaching Pain"

​Rose Mary Boehm, Peru
​
My hate permeated
my love for her. But I could not
stop whispering, screaming
my failures at her. Mothers
have broken under the weight
of less blame. And I was not there for her
when she searched for forgiveness
for the very last time.

​
"Perpetual Rage Machine"

KB Silver, California

Balancing as I spin
Laid out
On the razor’s edge of
A hallowed obsidian knife
Centrifugal force

Splitting me

Like a hair in the sanguine
S t R o B i N g L i G h T s
Waves of melancholy
Wash
And
D
 E
  S
   C
    E
     N
      D
Blowing away both halves of
My heart

                        Right
Lately, rent from the
Left

Mouldering drops of
rancor and despair
Splattered
A spontaneous

                g      o
       r                    r
               Sp     i       h
            a          p
Uninvited projected flashbacks
Generated by the
Winds of ennui
In the stygian silence, they glow and flare
As I tip-toe from the fray

Choosing my pain-laden path
With silvered talons, I cleave and
Slash with precision
Following the ha p ha zar d trail
Littered with hidden transgressions

Precarious vacillation
Jostling
Exhausting
my vigour
I transfer the weight of
Indignity
From old to new me
No matter how I ululate and
Choke
On the laughter generated at
My expense
No matter how fiercely
I attempt to transform this
Annihilating blaze
Into a perpetuating fuel

It seems the energy
Concentrates, over
Scorching the earth fl
Burning bridges to their ow
Turbulent titanium bones             ze
Transmuting my carbon stores      e
To cold grey ash                           e
Stolen on the emboldened br
The only solace left
Is the spark of recognition
Hostility engage
Reignition
Facts, the foul magic
Binding my soul
Prodding my rejuvenated slag
Into motion
The perpetual anger machine
The only thing saving me

​
"Rain on Start of Winter"
​
Ma Yongbo, China

The sea is grey and misty, a realm of chaos,
where sky and sea merge, rain ushering in early darkness.
The square prow rises and falls with the waves,
one cabin at the bow, lit with a lamp,
another at the stern, with a swinging hammock.
Tin lanterns weigh down tilted nautical charts,
below deck, bundles of books serve as ballast,
ropes, knives, canvas, water buckets,
an albatross drags its wings.
Perhaps there's even the skull of an old friend,
emitting a slight shuffling sound.
The wind blows, causing the concave sails to rebound,
beating against the slightly swaying mast.
The sails at the fore and aft have merged,
a solitary lamp atop the mast replaces the lookout.
I occasionally set down my pen to listen,
or go to the deck to check the wind's direction.
A white whale glides past the bulwark,
in the distance, a lone iron chimney rises.
The crew's whereabouts are unknown,
perhaps they've joined a jungle expedition to venture inland.
Only I, from time to time, glance at the binnacle,
or pull on the capstan pulley, then return to my desk,
letting my punt drag through the dark fog,
glide, brushing past all the world’s coastlines.


"Mambo Funeral Shovel"

Joshua Martin, Pennsylvana
​
diamond tooth subculture countryside
awash in sequential grasshopper rashes
pertaining to salute your jukebox summations
                          : Bright!
                : Poisonous!
                                     : Rejected!

the lodge regaling demented overalls
where scruffy warts group together
& formulate a ragamuffin mattress
. . . . .
          [of course, highlights & nimble
            fingernails cascading pamphlets
            steadily flaunting burst appendix
                                                               ] . . . . .

all this tune &
no other stairwell
to shield shrunken
typhoon bombast
           , , , , , >
                       sophisticated owl
                       filled w/ glue
                                        , , , , , > :

sanctified wheelbarrow photographs
impacting decaying shoplifter spools

[ . . . . . | ‘how do we press an=
               other double entendre icicle
               of mayhem????? |
                                             ] . . . . .
 
magnanimous parachute peacock
innocently studying a treadmill
    , scrunched
       nostrils
                like flutes
                abandoning
                digitized farts
                                   , , . . . . .


> guesswork
         (outer images reveal),
maniacal fisticuffs 
                barstool manicures
= doubled
          oVeR = [revolted] =
                , | lessons adaptable
                     tho cleanly duped | , ,


> = = = = =
                    . . . . .


"A Morning Sky, Dark
and Alive with Fissures and
Fault Lines of Lightning"

​
Jason Ryberg, Missouri
​
yellow wildflowers
in a ditch by the side of
a two-lane country

highway, a red-tailed
hawk perched on a telephone
pole, a butterfly

resting on a fence
post, slowly opening and
closing its x-ray

blue wings as thunder
begins to grumble up from
its deep primeval

pumps and bellows, and
the first few drops of rain hit
the hot, cracked tarmac.
​
Miles above, an old
satellite goes about its
cold, lonely business.

​
"A Fall Guy"

John Grey, Rhode Island

Grass is pebbled with apples wanted
only by the occasional wasp,
drawn by sweet juicy magnets.
Skeletal trees offer slim resistance
to the broadening light of late afternoon.
Limbs are stretched thin by abscission.
Forest floor is gold with summer's rich decay.
Autumn entangles itself
from shorter days, dropping temperatures,
the brisk, clean swathe of harvest.
Smaller moments of a cracked twig,
a rampant rake, a flock of geese departing,
are given over to a great near-vacuum
of nothing but air and earth and sky,
that only winter can fill.
Come fall, I watch for what I don't see.
A flake of snow.
A frozen pond.
A covered head bent into a swirl of wind.
It's imperative that I man the upstairs window.
Every season has its way of coming


"Rivers"

Peter Mladinic, New Mexico
​

The Hackensack’s banks blue-black silt,
the Passaic’s churning silver waterfall;
the Hudson’s sharp, dark, jagged palisades,
the Ouachita’s final word levee,
and Mississippi’s wide omniscience
flow into the Nile’s song, “Banks of the Nile.”

Leaving the P. O. I listened to “Nile.”
The singer’s voice haunting as dark silt,
Stay safe, she sang, from war’s omniscience.
God’s grace came like a waterfall.
To stay the tides, hands built a levee
as formidable as the tall, sharp palisades.

In hues brown and black the palisades
along the Hudson, in Egypt the Nile,
I walked above the Ouachita, on the levee,
far from Nile, far from Hackensack’s silt,
and Passaic’s culverts of light waterfalls.
In my past the Mississippi’s omniscience.

The Hudson flows beneath omniscient,
streaked with black, coppery palisades.
Out West I stood under a waterfall,
its rushing song like “Banks of the Nile.”
Water laps the gleam of blue-black silt,
Fate stays the flood from the levee.

Afternoons I walked along the levee,
in error, believing its bulwark omniscient.
What was, is, and will be is the silt,
the jagged, range of high palisades,
high and low tides of the Nile,
the ongoing spill of waterfalls,

and wings of gulls over the palisades.
As water recedes from the levee,
recedes the song “Banks of the Nile”
from me, though its sound’s omniscience
is tall and wide, as dark as the palisades,
and the Hackensack’s banks silt.

Waterfalls rush, clouds omniscient,
levees guard and stand the palisades.
As the Nile flows, so gleams the river’s silt.
​

"Night"
​

Joan McNerney, New York
Slides under door jambs
pouring through windows
painting my room black.

This evening was spent
watching old movies.
Song and dance actors
looping through gay,
improbable plots.

All my plates are put away,
cups hanging on hooks.
The towel is still moist.

I blow out cinnamon candles
wafting the air with spice.
Listening now to dogs
barking at winds and
sputtering of heat.
​
Winter pummels skeletal
trees as the moon’s big
yellow eye haunts shadows.


"is it really possible?"
​
Allen Seward, West Virginia
​
is it really possible that this life has been
completely wasted?
yes. yes it is.

is it possible that suffering does not
equate to redemption?
of course. people suffer for nothing
all
the
d*mned
time.

is it possible that all our order is really
just vindictive chaos?
well, let’s just say I
wouldn’t put it past the powers
that be.

do you think we’ll ever find our way out
of here?

that’s a tall order, I think.
mostly because
to get out
you first have to understand
what in is.
​

"Inspiration"
​
Susan H. Evans, Maryland
​
Inspirited, she is,
though she sends her parents to the liquor store
on a Thursday afternoon
in March just to keep up when she opens her little bird mouth for a
milk drying up soon and then it’ll be cold bottles
that taste of pastureland;
but Baby looks around with slitted
blue-brown eyes unclouded by an old world vision because she’s new
as a shiny coin and brings a fresh heaven with her.
I rock her in the sun and croon.
My daughter says testily, “Try quiet,”
but I don’t want to. I want to celebrate the magic of life
and Evie
fresh out of the waters that birthed her during the crescent moon
long before her spirit searched for a place to fly
before landing in the pot of golden spring time.
Besides, with her tiny rosebud ears, she is ready to hear my humming,
though now she sleeps swaddled like a baby Jesus in her little blue padded manger.
Perhaps she hears the lowing of animals crowded around her --
the late Tuna, Ash, the small gray lioness, and Zoe,
the big black goofus sniffing her,
and already Evie knows the foibles of her kin folk.
Me, for one, she sees right through and she isn’t two weeks old.
She searches my face and kicks up with tiny feet
already wanting out of her pink blanket and the freedom of an open sky.
Just like me, she’ll search for the wild places
covered with moss and the distant isle where mermaids comb
emerald hair
and in the flickering off and on dappled forests
straight through leaves to the heart of a sacred tree growing
in a place her great-grandmother sat on the banks
of a mountain stream near laurel branches;
though for now she’s little with a hollow chest sucking air in and out,
and has thin flailing legs unable to walk,
but it is her disguise. I hear her music
streaming out of her like water over river rocks.

​
"Lonely Goodbye"
          for those who, wherever, have to die lonely

​Germain Droogenbroodt, Spain
​
Chilly the room
the white walls.

Audible only
the echo of loneliness.

Not a tender word anymore,
no warm embrace.

Just the time,
a leaking tap,
ticking.

None knocking at the door
nobody you expect,
no one, except death.

​​
"Recognition"
   
 Germain Droogenbroodt, Spain

Stacked on the writing table, the books
multicolored, large and small, thin and thick
poetry from all over the world.
​
Peaceful words waiting
for the recognition, for the acceptance
of being distinct and different,
to be allowed to be themselves.

​
"About Flying"
                  For my friend with MS

Rose Mary Boehm, Peru
​
Lisa has no working legs. She has wings instead.

Mornings she glides over the pond in the glen
and darts with the dragonflies.

Lisa is not as fast as they are, her turns
a little clumsier, but she can hold her own. Sometimes
she flies with Jimmy who brings his red-and-yellow-
spotted salamander. The dragonflies know
what Jimmy carries in his pocket and hide.
​
When Lisa’s not flying she writes poetry
which she scatters into the wind.
How else would we know about Jimmy.


"COGITO ERGO SUM (I THINK, SO I AM)"

Germain Droogenbroodt, Spain

Socrates claimed
that one thinks first, then lives
Descartes confirmed it centuries later:

"I think, so I am".
But if artificial intelligence
will think for us, will advise us,
will tell us what to do
will we then still be humans or robots?


"I Remember"

 Lynn White, Wales

I have so few memories to fall back on
But I can’t forget the few.
I don’t need photos
to jog my memory,
which is just as well
since there are none,
none of him whole anyway,
just one of his legs
in loose grey trousers
sitting by me as I planted seeds
in my uncle’s garden.
I remember.

Cameras, films, photos were luxury items
beyond our means
or perhaps he didn’t like being photographed,
some people don’t.
That I don’t remember.
The photo is black and white
but I remember colours
in my uncle’s garden.
I loved the garden
full of bright flowers.
It was before we had one of our own.
My father was just sitting there
watching while I planted seeds.
I remember
I can’t forget.


“The Sky Ate My Breakfast”
​
​Jaideep Khanduja, India
​
I woke up to a Wednesday that felt like a fish,
flipping and flopping on the bedroom floor.
The curtains blinked at me with eyelashes of light,
and the sun spilled over the bed like marmalade on toast.
I tried to eat the morning,
but it tasted like tomorrow’s leftovers,
so I poured a glass of milk from the moon instead.

I think the fridge is hiding secrets,
whispers of forgotten yogurt and ancient pickles,
and the spinach wilted in disappointment
because I didn’t invite it to the party last night.
Even the butter's gone rogue,
sliding across the counter in a greasy rebellion,
while the eggs form a union, cracking their shells in protest.

My coffee machine recites poetry now,
in haikus made of steam and forgotten beans,
and the toaster insists it’s an artist
because it burns every slice of bread into a masterpiece.
The jam jars sing harmonies--
a chorus of strawberries, raspberries, and oranges
in the key of sticky fingers.

But enough about breakfast,
let's talk about the sidewalk that grows ideas in the cracks,
where gum-chewed thoughts are buried beneath shoeprints
and the streetlights gossip about the clouds,
who wear capes of fluff, but secretly dream of being dragons.
There’s a conspiracy in the gutters--
old receipts and faded candy wrappers
plotting an uprising against the wind.

In the park, the squirrels are philosophers,
chasing after eternal acorns,
and the pigeons pretend to be spies,
leaving coded messages in breadcrumbs and feathers.
I once overheard a bench confess
its existential crisis to a passing dog--
"Am I still a bench if no one sits on me?"

By noon, I wrote a letter to the sky:
Dear Sky, why are you always so blue?
It replied by throwing a rainbow across the clouds,
a sloppy, crooked grin of colors
and a wink of thunder, just for fun.
I think the sky’s a prankster,
leaving raindrops on my glasses when I least expect it,
turning clouds into ships, dragons, and once,
a very convincing sandwich.

Time, it seems, is a lazy painter,
spilling hours like careless strokes on the canvas of the day,
while the clocks argue over who's running faster.
In the background, the wind hums
the tune of the day’s last thought,
which sounds a lot like “what if” and “why not?”

Evening arrives like a fox wearing velvet shoes,
tiptoeing across the horizon,
its tail swishing with the promise of stars.
The moon sighs--
a glowing coin flicked into the wishing well of the night.
It tumbles through the galaxy,
past sleepy comets and insomniac planets,
who stay up late binge-watching the universe expand.

I sit on the rooftop of my thoughts,
dangling my legs over the edge of reason,
and wonder what’s for breakfast tomorrow.
Maybe a slice of the sun,
drizzled with a side of dreams,
and a tall glass of sky.


"with Whom a Pluralized river Bends"

Joshua Martin, Pennsylvania

, staunch codified handcuffs

:

            | melted dentures reverse
               turntable scOOp , , , in
               side bemused scOrn / ‘
               what drops the canary
               window pane shark?’ /
              / <revoked knife blade
              >empire To The Cable
               Belt Loop Scenario | ;;;;;

)jumpsuit( : once abbreviated, make an
                    optical smorgasbord heave :

     drink,ing
     puzzle pieces ?
?                              ! turnover,
              whisper                , diatribe Or
podium
covered in SnAkEs , , , the Plane
                               defies surgical
annihilation zealotry - - -

       OoPs! ! ! ! !

restless (running???) incognito temperature
     , (dis)engage(d) - - -

                    ‘dome of the mischief
                     barnacle lamp post’ = = =

mAkE lIkE a YaRn & sPoOl ;;;;;;;;;

       adage, stiffened, abandoned,
             grOOm mEEt brOOm mEEt
                    apparatus , , , , ,
weened oFF
    oF carcasses : : : : : :
                            |abide by my sidelined
hipster encrusted day
bed icicle molecules|
,(weeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee),

           sTandarizEd bEAch
b
 a
  L
     L = = = = = [all
                            ist
                              nicht
                                 swinging] \,,
        freakish
               parting
           slippers (GUST) / funnily
eno
ugh ,
          hoLLoWeD boychick
                               ;wEAvE the RaNt
;a TaD bIt
             sUllEn
                      ;
                        endeared
                             throat scraping
pUnCh

​
"Compounded Absence"
​
Jason Ryberg, Missouri
​
I turn around
and find 
that you’ve
stepped out
of the scenario
for good this time,

leaving behind you,
not merely
an empty space, 
but a compounding 
absence,

ticking away
its icy negative integers,

forever below zero
and falling

falling

falling

falling …


"My Dog's Allergies"

Peter Mladinic, New Mexico
​
My dog’s allergies,
why old men grow beards,
a door in fiction that subs as a table

and sits between wood horses
(sometimes called carpenters’ horses)
and loves its life;

Maithe Marshall, alto lead of the Ravens
R&amp;B vocal group; government men
who wear suspenders, Veronica Lake

in a pillbox with a veil, a piano,
an oval rug, tables and chairs mint green
in Lucille’s and my kindergarten,

“Lucille,” a bluesy ballad sung
by the Drifters;
a memory of a herringbone vest,

of driving to Lake Harriet in the dead
of night with Carol in her VW bug,
April, national stress awareness month

and poetry month; Etheridge Knight’s
“I died in Korea from a shrapnel wound
and narcotics resurrected me, I died

from a prison sentence and poetry
brought me back to life;” a tile wall,
a blue jay on a branch, the fountain

at Gray’s drugstore where the poet John
Berryman sat with a cup of coffee,
reading “Lycidas,” the bridge in Baltimore

that collapsed, hostages of war in Gaza,
the smoke over Gaza, the memory
of bodies lined in rows, an onyx ring,

comedian Buddy Hackett on stage
going into an outrageously funny spiel;
in a dugout in the desert a Rumsford

fireplace, the artificial lake where I tried
to kiss you and you pulled away,
I felt embarrassed, and balloons sent up

after the church service for your mother,
outside a pavilion—the cold day, flowers
in my bouquet of being well off, content.

​
​
"Wild Gatherings: A Little Tail Meat"

Charles A. Swanson, Virginia
​
                                                                                            .era uoy epoh I ro, sdrawkcab gnidaer er’uoy wonk I, seY
                                                                                                  ,sdadwarc eht, su htiw retaw thgirb eht ni er’uoy woN
                                                                                                         yllebrednu krad eht rof yllacitnarf gnitoocs er’ew
                                                                                                         gnihcaer sregnif gnilbmert esohT. kcor keerc a fo
                                                                                                               ,gnimaercs er’yehT. sdaeh ruo fo kcab eht rof
                                                                                                         ,yalp rieht rof snac otni nik hsifwarc ruo gnippolp
                                                                             .sdrawkcab ssenkrad otni gnitrad era ew tub, meht rof nuf taerg s’ti

Yes, it was great fun, catching those crawdads.
I wonder now if we released them
from their gallon can prisons. Surely not,
until we had set them on the porch floors,
poked them, watched their feelers wave,
their bb eyes blanking out, but somehow accusing.
Perhaps we trudged down the hill, because we were scolded,
scolded by our parents who liked to scold about our laughs and shrieks,
and put the sun-scorched, helpless things back in the rippling waters.

                                                                                                             .diarfa ssel ,nworg erom ,niaga emoc yeht ereH
                                                                                                    .sesuoh ruo foornu yehT. skcor revo gninrut er’yehT
                                                                                                              stsrub trid gnipoh .slriws yddum ni taerter eW
                                                                                                                                           .skrow gnihtoN .su edih lliw

Our crawdad catch doesn’t seem enough.
Blame it on Hank Williams and crawfish pie,
but we had to try. We boil them whole,
pull out the bit of tail meat, eat and eat and eat,
but never get enough. It’s like cracking beechnuts,
there’s just too little there. I guess the crawdads
who’re left can breathe a funeral sigh.


"The Perils of Ledgers"

Charles A. Perrone, California

Tommy was an aging accountant with wavering likings,
and according to an observer's oral and written accounts
his accounts at the local credit union were discredited for
possible connections to hereditary and ancestral doubts.
He may have been a count in some county in the Old Country:
Germany or neo-Romance lands--
France, Spain, Portugal, Italy—and the source:
Über Geschmack lässt sich nicht streiten, 
Des goûts et des couleurs il ne faut pas discuter, 
En gusto no hay nada escrito,
Gosto não se discute,
Dei gusti non se ne disputano, 
& de gustibus non disputandam est.
On account of, well, "there's no accounting for taste."

"ORIGINAL ORIGIN TALE OR NARRATIVE"
​
Charles A. Perrone, California


WHEN I EXPLAIN THAT THE TELLING
OF WHERE I CAME FROM MEANS
MY STORY IS CLOUDED IN MYSTERY
I MEAN SOMETHING TO THIS EFFECT:

ME:
MY STORY
MYSTERY
THE DIFFERENCE
IS A SINGLE VOWEL

MOI:
NO, THE DIFFERENCE
IS MORE THAN A LETTER
FOR IT IS ALSO A SPACE
WHICH CAN REPRESENT
A TINY SEPARATION OR
THE UNIVERSE AROUND

∞
​

 "Transatlantic Verbal Duel Selection Event"

Charles A. Perrone, California

Each side will choose eleven vocabular items.
With the first pick Contestant A selects:
aggrandizement
For its initial selection Contestant B will take:
augmentation
Anticipated further choices might be thus:
potentiality possibility
lightning mercurial
firefighter volcanologist
ennoblement glorification
predominance dominion
auto-suggestibility self-determination
un-hyphenated non-hyphenated
nondenominational predetermined
unfolding denouement
irreversibility undecidability
​


​
(​Avant)Art

Abstract digital painting of red leaves or flowers
Abstract digital painting that sort of looks like a fish
Abstract digital painting that sort of look like a siamese twin pink orchid flower
Digital manipulation of tall building across water in fog
Digital manipulation of a dark sun in a cloudy sky and its mirror reflection
Digital manipulation of a labyrinth under a blue sunny sky
Photograph of an out of focus shadow standing in front of a window
Photograph of an oversaturated sharpened creepy window and trees
Oversaturated cartoonish photograph of a wildfire by a pond at dusk

(Avant)Stories

Please make sure to address story submissions to Dave Sykes. Thanks!
"Clues"

Timothy Dodd, Pennsylvania
​
the second encounter

“Shrunk? What do you mean shrunk?”

“I mean she got smaller.”

“Yeah, I know what the word means, but what do you mean?”

In the windowless front office two men sat on folding chairs at a long black table with a coffee machine and nearly empty packet of Redman. The wall AC sounded like work in an auto body shop, and half a dozen spider plants camped on the top of three filing cabinets.

“I mean she shrunk half a foot.”

“You’re telling me this young girl shrunk six inches? Or do you mean she lost what’s at the end of her leg?”

“Well, she used to come up to my shoulders. But not the last time I saw her.”

A hand went through Captain Slocum’s hair. “You’re messed up, you know that? But I’d still half-like to hear you explain how something like that would happen.”

“Compression.”

“Compression?”

“You have family who worked the mines, right?”

“All right, Beet. You’re as dim as a deformed lightbulb. Get on out of here.”

Raywin Beet stood up from his short-legged chair and walked out of the office into the cool air of morning November fog. Captain Slocum remained at the table for a few minutes, then stood up and went to his own office where he spent the entire
afternoon mulling over his problem, patience shot and brain muddled. His wife, Genevieve, called around noontime about chicken and dumplings for dinner, and he roughed her up through the telephone. One thing he realized in his mental quagmire—he hated Raywin Beet as much as he hated dog food on his dinnerplate.

the third encounter


Raywin Beet entered the station, the door slamming behind him. Officer Silvers escorted him to the back. When they entered Captain Slocum’s office, they found him asleep in his chair. Slocum woke up from his visitor’s banging and began stretching, knocked over his little plastic cup of cold coffee.

“It’s about time,” Slocum started.

“About time for what?”

“You know what I mean. Now I’m only going to ask you these questions one time, so you better get them right.”

“Questions got more than one answer.”

“Never mind that circle speak. You tell me what she was doing when you saw her the last time?”

“Who?”

“You know who.”

“You mean that girl? Little Blanche Dumbould?”

“Exactly. Now what was she doing that last time you saw her. I’m only going to ask you once.”

“She had a little notebook and a jar of peanut butter. Sitting on the bench.”

“And?”

“And a little dog keeping an eye on her.”

Captain Slocum went back to the hand through the hair movements. “You know you're nothing short of the worst interview I’ve done in my thirty plus year career? I ask what she was doing the last time you saw her and you tell me about a meaningless mutt wanting her peanut butter.”

“I’m not here for a job. I’ve already got three.”

“And what makes you think I’d have a thimbleful of interest in hiring you? Now I’m going to ask you again. One time. What was she doing when you saw her last?”

“The park bench in the park behind Irving East High. With a little dog. Peanut butter. Her notebook.”

“More description.”

“Little black dog with a bit of reddish-brown. Kind of bearded. Yorkshire Terrier.”

“I don’t care if the dog is at home now lapping a bowl of milk! The girl! You’re here because of the girl.”

“She was just sitting there calmly. Content. Enjoying herself. She liked writing in her notebook. She liked her little dog. She would not like sitting here talking to you.”

“Yeah, all right. Clothing?”

“Yes.”

“Not ‘yes.’ What kind of clothing was she wearing?”

“Sky blue top. Nondescript shoes.”

“Nondescript shoes?”

“Right.”

“What color?”

“I don’t know.”

“Sneakers, sandals, loafers, boots, flip-flops?”

“I don’t know.”

“What kind of pants?”

“I never noticed them.”

“Anything else you can’t describe—you're doing so well.”

“Yes. Very colorful. Bright colors. Exploding stars, comets, ringed planets.”

“What?”

“Her notebook.”

“Okay enough of this. Never mind the dog and notebook and park bench. Did you go anywhere with her?”

“No.”

“Did you speak to her?”

“Yes.”

“About what?”

“About her notebook.”

“You would.”

“And I pet her dog.”

“You sat down with her on the bench?”

“No.”

“Why not?”

“Because I was on my way to Comic Kingdom.”

“Right, right. You and all your little super-power buddies. And the girl didn’t want to go with you?”

“No.”

“Why not?”

“Because she was creating some things in her notebook.”

“You’ve already established the notebook. Now forget about it.”

“She wouldn’t be happy with that.”

“So you went on to Comic Kingdom and didn’t say anything to her except about her notebook. Petted her dog and that was it?”

“Yeah.”

“I find that hard to believe. Especially considering.”

“You believe Peter betrayed Jesus three times.”

“Don’t try to bring all that in. Now the owner can vouch for you?”

“What owner?”

“Of Comic Kingdom.”

“I guess so.”

“You guess so? Well did the owner see you there?”

“I said hello to him, so I guess so.”

“And that would have been around 11 o’clock?”

“I guess so. I don’t really pay a lot of attention to the time.”

“Right, right. And after you left for Comic Kingdom, you didn’t see the girl leave the bench.”

“No. She stayed there.”

“And you never saw her after that.”

“As I said, no, I didn’t see her after that. You’ve told me she’s dead. And brought me in twice now with a bunch of questions. But I don’t believe it.”

“Believe what?”

“That she’s dead.”

“All right, Beet. We’ve already been over that. Doesn’t matter what you believe. Now I’m done with you for the moment, so you just go on home. And better be on your best behavior, too, because we’ve got an eye on you.”

“Keep an eye on yourself, too.”

“Get out of here.”

the sixth encounter

“So when did you first meet her, Beet?” He was sweating now, foul smoke
coming from his breath. The AC had stopped running, and on a hot June day, he wore
more clothing than his wife would ever understand.

“Trick or treat.”

“And what does that mean?”

“She came around for trick or treat a few years ago. Mom was making me answer the door.”

“All right.”

“She was Nightcrawler. With the tail. You know she’s got dark, wavy hair too.”

“A nightcrawler with a tail.”

“A mutant. Not the worm. I gave her extra Snickers. A lot of extras actually.”

“All right, all right, forget that. You were the last person known to see her alive that Tuesday, Beet. She hasn’t been seen or heard since then. It’s been nearly two weeks. Doesn’t that strike you as fishy?”

“What do you mean fishy?”

“I mean odd. Shady. Suspect. Queer.”

“Then, no, it’s not fishy.”

“Not fishy, huh? And why not?”

“You think the things people can’t see don’t exist? Intangible phenomenon.”

“Don’t give me your mumbo dumbo. This is a young girl. She was sixteen.”

“Was?”

“Was. Is. Whatever. She’s sixteen.”

“So what?”

“Stop your damn smoke screens, Beet. I’ll ask the questions.”

“Sure. And that’s the problem. You want answers, but only ones that will compliment your own slimy view of things. She’d had enough of it. Some people are tired of the little empty world of you and yours.”

“Are you trying to tell me she left and disappeared of her own free will?”

“She might have.”

“Might have. Nothing ever concrete with you, is there? But you know more than what you’re letting on, that’s for sure. That in itself makes you suspicious. One way or another I’ll get it out of you if I have to wreck this whole town.”

“Wouldn’t have it any other way.”

“You’ve been to Flatwoods before, haven’t you?”

“Of course. It’s six miles away.”

“You’ve been up on that ridge haven’t you.” Slocum stood up with both palms on his desk, leaning over toward Raywin Beet. “And what is wrong with your eyes? You been smoking something? They’re red. I don’t mean bloodshot.”

“So?”

“They’re red in the center. Like you’ve got a fire inside of there or something.”

Slocum paused, then called out across his room. “Silvers, get in here now.”

Officer Silvers entered Slocum’s office in a rush, both thumbed latched to belt loops. “Yes, Captain?”

Slocum didn’t answer. “Raywin Beet, I’m arresting you now on suspicion of murder…”

“She’s here, sir,” Officer Silvers interrupted.

“Who?”

“The girl. The missing girl. Little Blanche Dumbould.” A tiny teen girl trailed several steps behind Silvers, walking crookedly in cargo pants and a t-shirt with one shoulder hanging down, her skin blue. “She just walked into the station. She looks so little.”

“What’s that book in your hand, Blanche?” Captain Slocum barked out, his face red.

“Looks like a comic book,” Silvers said. “And a diary or notebook or something too.”

“Let’s see them,” Slocum said. “Bring them here.”

Silvers tugged at the books, pulling them from the girl’s hand, then walked over and laid them on Slocum’s bare desk. Captain Slocum tossed the comic book aside, centered the pink journal in front of his face, and opened it up to a random page. Faint smells of cilantro and citrus wafted through the room.

Captain Slocum looked down, then up at Raywin Beet who sat quietly smiling. An emptiness now came through Slocum’s eyes, as if he’d lost ancient recipes passed down from generations. He looked down again at the book in front of him. Images of etched birds flew up into his face. He covered his eyes with his forearm and turned away.
​
In the corner of the room, Little Blanche’s skin got bluer. A tail slipped through a hole in her cargo pants.

​

"The Brains of Dr. Weinstein"

Germain Droogenbroodt, Spain


"Devices must only be used to the benefit,
not to the detriment of human beings."
—Carl Friedrich von Weizsäcker


On the 13th day of the 13th week, a nondescript, innocent-looking advertisement caught my eye:

Wanted:

WINDOW-CLEANER
Male or female
contact:
FOUNDATION FOR NEUTRALIZATION
1313 Avenue des Champs Elysées
Brussels

I had no particular diploma. I had worked in a factory for years, but it had gone bankrupt a few months ago, leaving me unemployed and looking for a new job. Window-cleaner? Why not.

I wasn't afraid of heights and a company with an English name would probably be an important international company, so work was assured and on top of that, maybe a nice salary. Since there was no phone number with the ad, I looked up the company in the phone book, but strangely, the name FOUNDATION FOR NEUTRALIZATION could not be found therein. No doubt there will be other candidates, I thought, so I didn't waste any time, took my car and drove to the
capital. As always, there was a busy, abundant CO2-emitting morning traffic. But apart from a few green guys, no one worries about that anymore. Least of all the politicians who promoted the sale of electric cars—business must go on—but where one would get the extra electricity, remained to be debated.

Although I left early, the slow traffic made me nervous. There were certainly more candidates interested in a kind of work that required neither experience nor higher studies. I was lucky. Not too far from number 1313, I found a parking space and walked hurriedly to the building in question. Somewhat to my surprise, the building was not conspicuous, rather
unremarkable, even rather somber and nowhere was the name or any publicity of the company displayed on the façade which one would expect from an international foundation. Only at the right of the entrance was a button next to which, almost illegibly, I read Foundation for Neutralization. When I pressed the button with my index finger, I did not hear a bell on the other side of the door, but some kind of electronic hum. Seeing no microphone or speaker next to the bell, I waited, assuming someone would come to open the door. It took some time until I heard footsteps coming towards the door that apparently needed to be unlocked. It was opened by young woman who, somewhat to my surprise, was wearing an army uniform which, however, did not obscure her elegant body. Her lips were also trimmed light pink as was her pretty face with makeup that contrasted with that drab army uniform.

´You are probably coming for that job as a window-cleaner?´ she asked with a somewhat strange smile. I replied affirmative. 

´Please follow me´ she said kindly.

At the end of a long, bare corridor, was a lift. With her long index finger, whose nail was colored pale pink, she pressed a button that caused a soft murmur. A few moments later, the lift arrived and its door opened invitingly.

´Get in, please,´ said the young woman, joined me and sent the lift what I thought to be the third floor, but the lift went up higher and stopped with a little jolt at the thirteenth floor.

The lift door slid open, and with a hand gesture she invited me to follow her. About five meters farther was a metal door, painted in army green and to its right a box with a dozen buttons where the lady pressed a code, causing the metal door, which actually looked more like a gate than a door, slid open with a soft squeak. Behind the door was another door that seemed to open automatically and again revealed a very long, narrow corridor with a lot of doors—also painted
in green. The interior looked more like a military barrack, which one would not immediately expect in this area of luxurious buildings, with several foreign embassies in the vicinity, including that of the United States of America. I followed my female companion who stepped towards the second door and knocked on it. The door opened immediately. Behind a rather large desk on which were all kinds of computer-like soft-spinning devices sat a tall man who invited me with a gesture of his hand to take a seat opposite him. Like my companion, he also wore an army uniform on which at least a dozen medals and badges of honor were pinned. What heroic deeds did generals and kings perform—even in peacetime—to earn so many decorations I always wondered. And why are women, like my companion, not honored with them?

´You come for the job of window-cleaner?´ the uniformed man asked, stroking his hand briefly through his long but neatly groomed beard. I nodded affirmatively, still somewhat impressed by the rather strange reception.

´Working hours are 9am to 4pm with a 2-hour lunch break. One and a half months' holiday every year, but no longer than a week each time. Your salary is 5,000 euros and is paid in cash at the end of the month and adjusted annually for inflation,´ he said. Five thousand euros! That was double what I had expected. Despite the strange atmosphere, I did not hesitate a second and, without reading the text, put my signature on the form the uniformed man presented.

´Fine, then we will see you tomorrow at 9 o’clock,´ the man said, stood up and stretched out his hand for a handshake.

I felt a gentle pressure on my back. The lady who apparently had been standing behind me the whole time gently urged me to leave the place. I followed her through the somewhat dark corridor to the lift that was still there. We got in and descended. She asked if I were satisfied.

I nodded. She led me to the exit and said with her friendly, rather strange smile, ´See you tomorrow,´ and I heard how she locked the outer door behind me.

Wonderful! After months of unemployment, I had a job again! The washing of windows would not be very tiring, and the building seemed not to have many windows. On top of that, these were attractive working hours and a generous salary. What more could I wish? Yet a strange feeling crept over me. Not just the building and the military uniforms, but even though I had no inferiority complex, I wondered why I had gotten the job so quickly. The uniformed officer had
not even asked about my previous work or whether I had ever been a window-cleaner. Was I the only candidate then? The ad was in one of the country's leading newspapers, and a long epidemic had caused a lot of businesses to go bankrupt, resulting in higher unemployment. Strange. But I shoved off the doubts and looked forward to my first day at work.

The next day I got up early, quite nervous, probably because it was my first working day. In order not to be late, I was already at the entrance of the building at a quarter to nine. Should I ring the bell or was that not appropriate, I wondered. Maybe it was more convenient to wait a little bit. I didn't want to give a bad impression and I walked back and forth, regularly checking my wristwatch, because I neither wanted to be late. When the hand indicated five to nine, I
decided to call.

Exactly like the previous day, I heard an electronic buzzing on the other side of the door. A few minutes later, the door was unlocked, and it was again the young woman who opened the door. She was still wearing the same army uniform, but instead of army trousers she was now wearing a rather short skirt that touched just above her knees and showed off her elegant legs. On her face, again, that friendly, rather strange smile.

´Welcome to your first day at work!´ she said, let me in, and made a sign to follow her. Like the previous day, the lift took us to the thirteenth floor. Somebody had already prepared everything one needs for my job. Even a small ladder. The corridor was narrow, but very long with a door every five meters on either side. As far as I could see, they were all identical
with a metal handle and on the right side of each door a small keyboard. Would there be an office with uniformed or non-uniformed employees behind each door, I wondered. But I did not hear any voice.

´All rooms are the same and all have a window,´ the young lady informed me.

´The idea is that you clean the windows one after the other, and when you are all the way around you start again from the beginning. To gain access, you normally have to press a code, but during working hours, you don't have to, and you can enter anywhere to clean the windows. My office is next to the director's. For any information you can come to me. Under no circumstance, may the director be disturbed. I am the only one having the code to open the door to his office. I will
come to see you at noon so you can go out for lunch if you wish. See you later', she said, opened the first door, smiled and left.

To my surprise, there was nobody in that rather spacious place, but the walls were full of numerous electronic, computer-like rigs that blinked red and green at irregular intervals and hummed softly. The windows had not been cleaned for quite some time, they were gray with dust on the outside. Below each window was a small balcony on which I could place the ladder I had been given. Fortunately, I was not afraid of heights, because below the balcony yawned a dark probably fifty-meter-deep abyss.

I immediately set to work. After cleaning the windows of the first room, I opened the door of the next one. There was no one there, either, but identically as in the first, the walls were full of blinking and buzzing electronic devices. Would all those rooms be identical and full of electronic devices? The name of the company came to mind: ´FOUNDATION FOR NEUTRALIZATION´. Was the whole building full of computers? Strange though was that there was apparently no one
in any place to operate those rigs. Was it the bearded one who controlled all those harnesses? And what were they actually used for, I asked myself. Was the world then so evolved that people were no longer needed at all, and one person had so much power to control, program, and make everything work to his liking?

After cleaning the windows of the third room, I could no longer contain my curiosity. The long corridor was dead silent. With the doors closed, one could not even hear the hum of the computers. There was no one to be seen. I decided to walk soundlessly to the end of the long corridor. And yes, both left and right everything appeared the same, the same doors, the same rooms packed with flashing, buzzing electronic rigs. Halfway, I thought to turn back and continue cleaning the windows one by one, as I had been instructed, when I noticed that just a little beyond the middle of the corridor on the left was a door, significantly larger than the other doors, on which was painted in large red letters ´Room of Geniuses, ACCESS STRONGLY PROHIBITED!´

The uniformed lady had not said whether or not I had to clean the windows of that place, but since it was so clearly indicated in red that its access was strictly forbidden, that would certainly be for everyone, including me. But why was the access prohibited? Curious, I pressed my ear against the cold metal of the door lock. No, I heard nothing . . . or . . . unlike the sound of the electronic rigs in the other rooms, I heard a faint completely different sound. It was not a humming, it was more like the sighing of a human being. But apart from the bearded one and the woman, there was no living creature here. Maybe a window is open, and the sound is from the wind, I thought, but I still found it strange. To the right of the door, as with the other doors, there was also a keypad. Would one have to press a different code on it, or would this door also not be
closed during working hours. I wondered. I could barely contain my curiosity, but no. Now that I had obtained this generously paid job after months without work, I did not want to risk losing it because of my curiosity, and I went back to where I had last cleaned the windows. It was almost noon. I had just returned as the young lady came to me and pointed with her right index finger to the watch on her left wrist. Almost twelve! Lucky, she didn't see me at that door, I thought, and smiled at her.

´Good afternoon. You have been working well I see’, she said, pleased with my work. I did not know the neighborhood and had not seen a bar or small restaurant anywhere. If one could eat something nearby, preferably not too expensive, I asked her. 'Not near here actually,' she said. 'But I have some myself, too much for me alone. If you want, we can eat something
together in my office,' she said, put her arm around me and led me to her spacious office. In the middle of her office was a low table on which she had prepared lunch. Even two plates. The second plate might be for the bearded one, whom I called “the general” for myself, I thought upon entering. But she invited me to sit in the seat at the little table and sat down
opposite me. Her dress had been pushed up a little higher, showing her slender legs. She apparently took pleasure in my admiring her legs and did not pull her dress down but smiled at me. Not just her legs, her face was seductively beautiful. She was also quite young. Barely thirty, I estimated. She poured me a glass of beer and invited me to eat something. If I liked the work, she wanted to know. I nodded affirmatively.

I wanted to ask her what all those electronic devices were for and, yes, actually, mainly what was in that place to which access was forbidden. But asking that seemed rude. She guessed my thoughts.

´This building with all those electronic rigs is the most important part of a system that operates worldwide and controls everything,’ she said.

´It is the engine room of an immense company; you could call it its brain. The owner is one of the richest people in the world, maybe even the richest. He has businesses all over the world, so his capital grows by day and by night. He is not a benefactor, however, but he is obsessed by technology in which he has largely invested his capital. His international company employs not only the most intelligent specialists worldwide, but also the most intelligent computers and the
most important ones are set up here. They design the most sophisticated things. The latest is a swimming goggles like device that allows wearers to project themselves into the strangest places or circumstances, not only those of the present but also those of the future and even the past. For example, you key in the September 11 Twin Towers date, and a moment later you can choose whether you want to be just a spectator, a victim, or a terrorist. The device is still being developed, but one suspects that, just as there is hardly a human being left who is not addicted to the so-called Smartphone, soon everyone will be wearing such Smart Glasses which will not only make the entrepreneur even richer, but will allow him to control and dominate the people wearing it—anywhere in the world—more than any dictator ever.'

I could hardly believe what I was hearing. But the woman was serious, and as she spoke, even the smile had disappeared from her beautiful face. Where had I ended up? I didn't immediately know what to say. Had even forgotten to continue eating. 'Aren't you hungry anymore?' the woman asked kindly and smiled again as if she had said nothing serious before. I took another bite, but my hunger was over. With her right hand, she poured a cup of coffee and with her left she stroked my right hand briefly.

Her hand was soft but felt cold. On her arm, just above her wrist, she had a small tattoo; but what it meant I could not immediately decipher. She noticed that I had seen the strange tattoo. 'The writing is Chinese, it means TAO, translated into English as THE ROAD,' she explained. 'Unlike the digital devices that addict and affect people's lives, the TAO leaves
doing and thinking free. I studied Chinese philosophy, but see me now, surrounded by devices that have made us forget to think,' she said and smiled exposing her beautiful teeth.

‘Are you married?’ she asked, completely unexpectedly.

But as if my answer were unimportant, she immediately continued, ‘I am a widow. My husband died. He was also a window cleaner,’ and as if she wanted to avoid my question, she immediately continued speaking.

‘No, he did not crash here, but with his car. A road accident. People still tried to resuscitate him, but they did not succeed. I had no job then and they hired me as a secretary here immediately, a year ago.’

After lunch, I went back to cleaning. Nothing special happened for the rest of the day, although everything the woman had told me kept reverberating in my mind. Even as I drove home between polluting, honking cars. Soon they will all be driving computer-controlled, I thought to myself. But what will they do if such a vehicle, without a human driver, carrying goods, causes an accident and injures people? Will it then call an ambulance of its own accord, pre-programmed describing exactly what had happened? And if all employees will have been replaced by computers, who will pay their salaries, how will they survive?

Normally, I had a steady, dreamless sleep, but that night I was haunted by strange dreams. Again and again, I seemed to find myself not in my bedroom, but in one of the rooms where I had previously cleaned the windows where The General, who had apparently lost control of the rigs, was desperately trying to quiet the no longer buzzing but loudly whooping, protesting machines that also surfaced. Still a little tired from too little sleep, I drove to the company where everything was going normally, and like the previous days, the charming lady opened the door and kindly, even seductively, smiling, led me to my work and wished me a pleasant working day.

The long corridor was dead silent. Only when I entered the room could the hum of the apparently day-and-night functioning machines be heard. Everything the secretary had told me about the globally present company had further whetted my curiosity. After cleaning the windows of one of the rooms, I could no longer contain my curiosity.

I scanned the long corridor. Looked left, looked right. No, there was no one, NONE! And yet, as I approached the room ‘PROHIBITED ACCESS’, I thought I heard a voice, a very faint, male voice. Could I be suffering from schizophrenia, hearing voices all the time? To listen better, I held my breath. But I heard nothing at all. Would I dare to open the door? I looked behind me for a moment, the corridor was empty.

Would I? But my hand did not hesitate. Despite the ban, this door too was unlocked and opened silently. The walls of the 'Dark Room' as I had named it in my mind were painted all black. But the room was not dark; on the contrary, it was bathed in an immoderately energy-wasting artificial light. There were no windows. The walls were bare. Not like the other rooms
full of electronic gear, only at the back, against the wall where there was a window in the other rooms, were strange devices, exactly as I had seen them in my dream the previous night. Devices with flashing lights, buttons and switches connected to a number of glass bells. Under each glass bell connected to the devices was something that I couldn't immediately recognize entering the room; but it seemed, though barely visible, to be moving. Not the glass bells, but what was underneath was connected to the electronic harnesses. For a second, I thought of the image of my father, when before he died in a hospital, he was connected to several plastic tubes, which were connected to a device that showed his heartbeat.

One of the glass bells, which were all the same size, was significantly larger than the others. When I approached the large glass bell close enough for me to see the moving something, I was startled and could not believe my eyes. Under the glass bell was a mouth! No, not an image of it, but a real apparently living HUMAN mouth that was constantly moving, just as if it was speaking. A mouth with gray, slightly wrinkled lips, like those found in older people. I felt nauseated. Was this reality or hallucination?

How can amputated lips, how can a mouth move independently, articulate animatedly, as if talking, praying, or swearing? At both ends, left and right, the upper lip was sewn to the lower lip. At the back of the lips were tiny needles, tubes, and gossamer threads connected to one of the electronic harnesses. Would they be the ones administering intermittent impulses to the restless speaking organ, or was it the other way around? As if the display wasn't gruesome enough, I now
heard again. That Voice, that hoarse, helpless, pleading human voice.

‘KILL ME . . . KILL ME . . . Please!’

The voice apparently came from one of the devices. Was it a recording that repeated itself from time to time? I didn't know what to do, run away or find out what was going on. The pleading words bit into me.

’The mouth!’ suddenly flashed through my mind. But how could a mouth speak without a body?

I was petrified. Then I heard that pleading voice again:

‘DON’T ABANDOM ME . . . KILL ME . . . '

What could I do? I certainly didn't want to kill someone, maybe help him? The rig to which the mouth was attached stood amidst the other devices connected to it, constantly sending signals at the same rhythm. They resembled a heartbeat. Or was I imagining it? At the top, at the front of the largest computer was a screen behind which was a small illuminated space. I stood on my toes. What I saw next horrified me. Behind the small window there was a slightly moving, white-gray mass full of tiny veins into which, like a pincushion, long needles had been pricked.

Attached to the ends of the needles were thin cables that, bundled together into a thick cluster, disappeared into the computer.

Could the supplicant see me? Next to the screen was a small smartphone-like keyboard. ‘Press Dr Weinstein Foundation for Neutralization’ begged the voice.

I hesitated. What would happen if I typed in that code?

It all seemed unreal to me, as if I had landed in the middle of a science-fiction movie. Had my curiosity involuntarily made me a guinea pig for what would become ‘normality’ in a future era dominated by artificial intelligence?

But maybe the whole thing was normal, and the owner of the voice was somewhere far away, suffering such severe pains that he no longer wanted to live and wanted to commit euthanasia in which I had to assist him. But then what did that mouth, which looked and moved so lifelike, mean? With trembling fingers, I keyed in the code.

‘Thank you,’ spoke the voice, which now seemed to come from very close by.

It sounded like a sigh of relief. Would that person hear me now, too?

‘Where are you and who are you?’ I asked.

‘I am Dr. Weinstein, Albert Weinstein,' replied the voice.

‘But he died a long time ago,’ I said, incredulously.

‘I am his brain. Just his brain and his mouth.’

My God! Could that moving gray mass be the brain of Dr. Weinstein, who died many years ago?

I had once read that Dr. Weinstein's brain was on display in an American museum. Could this quivering pile of human misery be the brain of what was once the world's most brilliant physicist, artificially reanimated and kept alive by those electronic harnesses? Why, I wondered. I thought of Franco, whose entire body had also been cut up before they sent his soul to the hell of Mao, Stalin, and other dictators who had been laid to rest. Would their brains also be digitally
animated to be abused for some obscure purposes in the future? Just recently, the current Russian dictator had a statue erected in honor of his predecessor Stalin. Fascism appeared to resurface in recent years, and the masses, deluded by lies and spectacle, allowed themselves to be manipulated. Would it all happen again, more thoroughly and gruesomely than before? God, up there in heaven, why don't you send us poets, instead of dictators?

Weinstein had apparently read my thoughts.

‘The digital indoctrination that has made man into willing followers of the rulers destroying humanity and nature will lead to the Apocalypse, to man's ultimate self-destruction,’ the voice said.

‘And what happens here, in the Hall of Geniuses?’ I asked.

‘Here, the brains that can somehow serve to expand world power are kept alive and stored as living intelligence to be used as artificial intelligence. The computers, to which the brains are connected give instructions through digital impulses and boost the mental productivity of the human parts. If efficiency drops or there is protest, The System automatically sends a series of penitential impulses to the guilty object. Stripped of their natural resistance, the body parts are so sensitive that the horrific pain caused by the impulses not only suppresses their resistance, but at the same time drives them to greater
productivity.’

I wanted to know whether only the brains of the scientific geniuses are preserved and used here.

‘No, Hitler's brains were also stored here and served The System for demagogic manipulations that were then digitally disseminated worldwide in the form of information.'

‘And what are your genius brains used for?’ I asked, curiously.

My question caused a deep sigh on which a long silence followed.

‘Trapped by the machines and providing them with the impulses that their reasonless harnesses cannot produce, the memory of computers, artificial intelligence, cannot itself think and only disposes of what was previously experienced and stored. The brains kept alive here serve to design what has not yet been stored or discovered. The latest invention is the Smart glasses that will addict and manipulate the docile masses even more thoroughly than the Smartphone, but that is not even the worst thing for which my brain is being abused. What tortures me day and night and drives me to madness is my next mission: the Omega bomb, a weapon with a destructive power more than 10,000 times greater than any nuclear weapon on earth. At the speed of light, the craft flies towards its target with staggering accuracy, its size and location can
be precisely programmed. What makes the Omega bomb so special, however, is that it does not
do any material damage but like a virus infects the whole area, indoctrinates and dominates
people's brains.'

I was shocked, speechless. But the voice continued.

‘Far more thoroughly than the Smartphone. No human being, simple or intelligent, is immune or can escapes it. Possessing that weapon will be able to control and manipulate the earth. You must destroy my brain so that the terrible weapon never gets into the hands of a power-mad individual. I am powerless. Uninterruptedly, the computer sends me questions, sucking from my gray matter with its octopus arms the information I cannot stop. Occasionally, I try to slow down the flight of
information by sending erroneous data that then confuses the system, but as soon as it is noticed, my brain is bombarded with such horrifying torture impulses that all its resistance is broken, and my brain again calculates formulas, necessary for the construction of that all-conquering Omega Bomb. Help me. Please help me to undo this inhuman torment and save humanity from mental ruin. Please, do it now, now!’ he begged.'

Kill him. I have to kill him. I have to kill a human! I was horrified. It is only his brain left, but it can still think, still speak. Wouldn't killing him be murder? God in heaven, bring me enlightenment. What should I do? The last plea had sounded weak and exhausted. Was the brain close to a breakdown? Suddenly the computers started functioning busier, made
significantly more noise and blinked restlessly. The voice no longer spoke, I heard only a murmur. But just as I was about to ask Weinstein what was wrong, he screamed:

‘NO . . . PLEASE . . . NO!’

Apparently, the brain was being mercilessly tortured and forced into greater productivity.

‘Aaaah ..’. The cry was horrifying.

‘What should I do, what should I do?’ I cried in desperation.

‘Press ... three times on the red button...The little window behind which my brain lies will then open. Pull all the needles out of my brain. Please…please…’ his voice sounded weak.

I trembled. What was I supposed to do? Was this murder or an act of human compassion?

‘PLEASE...’ Trembling, I pressed the red button and yes the window opened. The brain jolted, as if tortured by violent electricity surges. The pleading voice kept vibrating in my head like an echo. One by one I pulled the needles out of the grey mass that calmed needle after needle and the computers too appeared to be calming down.

But what should I do with the brains? Leaving them here seemed dangerous. If The General noticed it, he might replace the needles back in brain and everything would start all over again. They have to get out of here, it flashed through my mind.

Carefully I slipped them into my bucket, put the chamois on it and ran out of the creepy hall, down the long bare corridor, towards the lift that took me to the exit. Barely had I left the building when I heard numerous howling sirens and saw dark blue raid trucks in the distance, racing towards the Foundation for Neutralization building. ‘So they also belong to
The System’ flashed through my confused head. But I had no time to think about it further. Where should I take the brain so that it would never be abused again? To the canal, I must go to the canal, it shot through my head.

The pedestrians thought it was a strange sight, a balding man running like a fool to the canal.

Did I imagine that I was preventing a global indoctrination of humanity? Nodding, gasping violently for air, like a washed-up fish, I arrived at the redeeming watercourse. For a moment I hesitated, but when I heard the blue Cerberuses approaching with howling sirens, I swung the contents of my bucket into the gently flowing stream.

For a moment, the brains still floated on the surface of the water. Did I hear them say 'Thank You'? Slowly they sank towards the bottom, towards the mother earth, where they could finally rest in peace.

Meerbeke July 1979, Erkensruhr 5 April 1980, Altea February 2023

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